1. Fullmetal Alchemist. Roy. I mean, Ed is huge fun to write, and so is Al when he gets his snark on, but Roy is my most reliable fic-fodder character, plotting creature that he is.
2. Prince of Tennis. Probably Yukimura, with Rikkai as a whole coming close second. They’re just so much fun to write about as a team; tasty dynamics everywhere, especially with the angst-lever to crack it all open.
3. Bleach. Hm. This one is actually a little difficult. I mean, in absolute terms, Rukia, but, again, mostly Rukia in relation to Ichigo and Orihime and Renji. Close second place is split by Byakyua and Hirako Shinji, despite the second’s late appearance.
4. Kuroko no Basuke. Kuroko, hands down, often in relation to Kagami, but also in relation to the other Miracle-idiots. No one can lay the straight-faced smackdown like Kuroko.
5. Angel Sanctuary. Mad Hatter, with Kira following close behind. I have a soft spot for complex motivation, in case that wasn’t obvious.
6. Naruto. Kakashi, closely followed by Sakura, albeit usually in the key of “omfg, move over and let me drive” given that canon gives them both a pretty raw deal, character-development-wise.
7. 07-Ghost. Frau. I also have a /huge/ soft spot for Teito and Ouka, and everything they might make of their world, but Frau is the most fun to play with.
8. Katekyou Hitman Reborn. Gokudera is entertainingly highstrung, but the more I dug into it, the more Squalo showed up with a bagful of plot and emotional porn.
9. GetBackers. Kazuki, especially in relation to Saizou, Toshiki, Sakura, and Juubei. Also with the emotional porn and fix-it urges.
10. Nirvana in Fire. Lin Shu/Mei Changsu, yes, all the way. A type, I can haz it, and it’s called Magnificent Bastards.
In conclusion, I clearly like the ones who smile politely all the while they’re getting a nice, iron grip on everything around them. Though also the ones whose central motivation is devotion.
Consider yourself tagged, if you’d like!
from Tumblr http://ift.tt/2x9d6DM
Characters/Pairings: Shiro and Keith, Allura
Summary: Keith just needs a little help with the rent; Shiro's just a little lonely. This is just a brief, mutually beneficial financial arrangement, that's all. Really.
Notes: This is my entry for the Sheith Big Bang. I will be editing in the art shortly. I was lucky enough to be paired with two artists, Mishy of Mishy Draws and Liz of the comic Adrastus. 45,618 words; adult for smut.
( If he were the melodramatic type, he'd be asking himself how he'd gotten himself into this mess, but Keith is too pragmatic for that. He knows exactly how he got to this place: it's called having a short temper and no patience for bullshit, which make for a really bad combination with an asshole boss who never liked him to begin with, even before Keith had called him out for playing favorites with the other clerks. )
The problem was that it was 130K and I still had a good chunk left to go.
Now, I write fairly short books, as you guys know. 65K is about my perfect length. This thing was monstrous. I plan to self-pub the ebook but the idea of a print version was...well, you guys remember how I threw my back out lugging copies of Digger?
My buddy Mur, queen of podcasting, listened to my woes at coffee and said "Make it two books."
I gaped at her. "I can DO that?"
"Do we have to have the economics talk? Have you on Ditch Diggers (that's her podcast, go listen to it) so we can yell at you?"
This blew my mind.
It also solved a lot of problems for an author who prefers to keep their ebooks cheap and their books not requiring death cement to keep the bindings together.
So! Clockwork Boys, Book One of the Clocktaur War, has been sent to my editor and will be out hopefully this year. (Patrons, you get the ebook for free, of course!)
None of this is the point. The point is that, having split it into two books, suddenly I am working on Book Two (tentatively titled The Wonder Engine) and I am having to do all the stuff that you do at the beginning of a second book, where you re-describe all the characters and do very brief info dumps about how your heroine got that tattoo and why she's still pissed at the paladin after rescuing his armored ass from a bunch of murderous deer people. And re-foreshadow stuff and re-establish that your thief sneezes constantly and the assassin smokes cigarettes and the paladin takes hot baths at every opportunity and all the stuff that you do when you're writing a second book.
Which honestly, is sort of useful for the writer as well as the reader, gives me a chance to re-center myself in the story, but it adds even more words.
The second book is already longer than the first one, and there's still so much more to get through. How do epic fantasy people DO this!?
Anyway. Clockwork Boys, hopefully this year, Wonder Engine hopefully early next year. My brain hurts.